Sunday, March 29, 2015

9 More Class Days Calendar


Monday 30                      Independent Voice Work in Progress
Wednesday Apr 01          Personal Branding/ Senior BFA Show/Portfolio Review     
                                      Discussion/Checklist/Leave Behind/Resume/Files

Monday 06                 Independent Voice Critique
Wednesday 08                 7 Deadly Sins
                                   
Monday 13                      7 Deadly Sins
Wednesday 15                 7 Deadly Sins
Monday 20                      7 Deadly Sins
Wednesday 22                 Portfolio Review Rehearsal in real time
                                      Submit one High Res file of your choice for the 7 Deadly Sins to be  
                                      printed in CMC for Monday.
Monday 27                 7 Deadly Sins Critique + Large Scale printout
                                      All CTW info submitted (DVD of all work from this class / final artist 
                                      statement & resume.
                                     

SENIOR EXIT REVIEWS SCHEDULE
Monday May 04th:
9a-9:45a             Michelle Parkos
9:45a-10:30a      
Bobbi Sweeney
10:30a-11:15a    Arnel Hasanovic
11:15a-12:00      Becki Mclean
12-1p LUNCH
1p-1:45p            Rebecca Price
1:45p-2:30p       VyVy Vu
2:30p-3:15p       Samantha Bowersock
3:15p-4p            Ashley Knable
4p-4:45p            Matthew Simmonds


Tuesday May 05th:
   9:45a-10:30a  Andrew Chen
10:30a-11:15a   Andy Hu
11:15a-12:00     Kody Dahl
12-1p LUNCH
1p-1:45p            Mirely Cabral
1:45p-2:30p       Mariana Montero
2:30p-3:15p       Courtnie Dani Fore
3:15p-4p            Nick Morrison
4p-4:45p            AnnaKate Auten


Wednesday May 06th:
9:45a-10:30a      Danteng Li

10:30a-11:15a    George Baker III
11:15a-12:00      Tyler Merritt



Saturday, March 28, 2015

Deans Art Awards

 


“The world is wide, and I will not waste my life in friction when it could be turned into momentum,” declared suffragist Frances E. Willard.  Momentum suggests an impetus, a strength or force leading toward change, something new, something moving.
We invite submissions for the Fourth Annual Dean’s Art Award, art that speaks of MOMENTUM.  Show us what momentum is and what it does.
Submission deadline:  March 30th, 2015

Overview

The Dean’s Art Award recognizes student achievement in the field of visual arts and allows the Dean’s Office to directly connect with the student body through the award submission and selection process.  For this award, students submit their own works of visual art to a selection committee comprised of faculty, staff, and student leadership in the Dean’s Office and the Ernest G. Welch School of Art & Design.  The committee welcomes submissions from all students (undergraduate and graduate) in the College of Arts and Sciences.
Awards will be made for First Place ($350), Second Place ($150), and Honorable Mention. All selected pieces will be exhibited in the Dean’s Office throughout the 2015-16 academic year.


Submission Requirements

Students may submit up to five (5) pieces for consideration per year.
Submissions must be made as complete electronic portfolios and must include:
  1.   High-resolution digital image of work; for 3-D works up to three (3) photos of one work may be submitted
  2.   Title of work(s)
  3.   Medium/media
  4.   Dimensions
  5.   A 50-150 word  Artist’s Statement that relates the submissions to this year’s theme, “Momentum”
  6.   Panther ID Number & student e-mail address
Students must have been enrolled in at least one Arts & Sciences course during the 2014-2015 academic year and must have been enrolled during at least one semester between summer 2014 and spring 2015.
E-mail submissions to Annie Latta at alatta@gsu.edu OR  deliver a CD/thumb drive to the Dean’s Office, 25th floor, 25 Park Place, attention:  Annie Latta.

Components must be marked as “Submission for the Dean’s Art Award” with the artist’s last name.
Submissions must be received by 5 p.m. on Friday, March 27, 2015.
Winning art work must include hanging/installation instructions, must be ready to hang/install, and must be representative of the images submitted.  The Dean’s Office reserves the right to reject any accepted work that is not delivered suitable for hanging and display, or work that differs in any way from the image represented in the submission. Upon acceptance, artists are required to sign an artist agreement. The Dean’s Office reserves the right to reproduce accepted entries for publicity purposes.


Award Timeline

The Dean’s Art Award operates on a one-year cycle.  Winners will be notified on or before April 20, 2015.  Winning art work should be delivered to the Dean’s office no later than May 8, 2015 and will be installed during the summer months for display during the 2015-16 academic year.  A reception honoring the winners will be held during Fall Semester 2015.


Questions?

E-mail Annie Latta at alatta@gsu.edu.

Tuesday, March 24, 2015

Midterm Assessments Coming: (After the Personal Voice Project)

Not to worry. I haven't forgotten but I wanted to insure that the Personal Voice Project is part of your Post Midterm Assessment. Everyone is passing so no worry there but just wanted everyone to know that it is coming as soon as the next project is completed and graded.  Stay tuned.

The Final Senior Portfolio Assignment: The 7 Deadly Sins

 
Courtesy: https://www.behance.net/ilovedust



The 7 Deadly Sins are usually given as wrath, greed, sloth, pride, lust, envy, and gluttony. Each is a form of Idolatry-of-Self wherein the subjective reigns over the objective.
Although these "sins" are most associated with Christianity/Catholic Church these are also referred to as sins of humanity throughout the artistic community.

The Divine Comedy is an epic poem by Dante Alighieri, begun 1308 and completed 1320, a year before his death in 1321. It is widely considered the preeminent work of Italian literature and is seen as one of the greatest works of world literature.

The Divine Comedy with the mentioned Seven Deadly Sins has been a source of inspiration for countless artists for almost seven centuries. There are many references to Dante's work in literature. In music, Franz Liszt was one of many composers to write works based on the Divine Comedy. In sculpture, the work of Rodin is notable for themes from Dante, and many visual artists have illustrated Dante's work. 

Now this is your time to interpret these Seven Deadly Sins as you so choose.

For your final senior graphic design assignment each of you will interpret the Seven Deadly Sins as you see them manifested through your own personal definition of each subject.
These are your personal interpretations. These may include political, sexual, religious, historical, financial, or any other interpretation you so choose. 

These can be original art, digital prints, silkscreens, photos, sewn, painted/drawings, transfers, mixed media and/or any other technique you so desire.  This set of 7 should also include some type of packaging for your original images/interpretations.  It could be a simple box or paper portfolio or slipcover or anything you feel is appropriate to your concept. 

One of these of your choosing will be printed to a larger 22x30 glicee print format that you will show at the final critique on April 27th.  Please prepare one of your 7 "sins" in a high res format pdf to be put on shared space so CMC can print all of them at once. This larger format is due by Wednesday April 22nd.

These larger 22x30 formatted prints will become property of the Welch School of Art & Design and be installed/framed on the premises for the future.  Should you choose to have an additional one printed please advise ahead of time for production.

Each original design/artwork should be 6 x8 inches.
Each will have a front and you should also include some design/information for the reverse.
It could be just your logo on the reverse or text that somehow describes your vision.

Specs:
7 individual 6 x 8 interpretations of The Seven Deadly Sins.
Packaging for the 7 interpretations. 
Creative Brief for the 7 interpretations.
Paper choice is up to each designer.
Media is up to each designer.

One "sin" should be created high resolution (300dpi) pdf to be printed
22x30 glicee CMC print.

Keith Haring:
One of Keith Harings last series of work was a portfolio based on Williams Burrough's Apocalypse. When the late renowned artist Keith Haring was diagnosed with AIDS in 1988, he collaborated with author William S. Burroughs on this Apocalypse series, which offers an insight into Haring’s personal struggle with the disease.  He died in 1990.These large scale dramatic art series depicted his personal narrative/journey in the final years of his life.
Each panel is 38 x 38 inches.















 Also check out work by Nathan Fox who created a set of skateboards:

Check out the opening title sequence for "Seven."

Directed in 1995, David Fincher’s Se7en is a film that defies easy categorization. Perhaps too dark to qualify as a golden classic despite having all the right ingredients, neither is it a cult film in the traditional sense, as it is stocked with A-list talent and propped up by a smart script, a memorable score and rich cinematography, and a production value in lockstep with Fincher’s vision for the film.

It’s a sequence that has drawn comparisons to the grotesque photography of Joel-Peter Whitkin and the experimental self-aware filmmaking of Stan Brakhage, and its format has been likened to Stephen Frankfurt’s title design for Robert Mulligan’s 1963 adaptation of the courtroom thriller To Kill a Mockingbird, which also features close-up photography of personal items to describe the psyche of one of the film’s key players. But it is more likely a convergence of unique circumstances and artistic vision that gave the Se7en titles their own distinct cadence, blending Fincher’s treatment of the film itself with Cooper’s visual interpretation of its narrative.

And what ultimately distinguishes Se7en is its delivery, piecing together bits of leader and other film artifacts with ephemeral imagery and type etched right into the emulsion, all sewn together by Angus Wall’s staccato edit and Coil/Danny Hide’s nail-on-chalkboard remix of Trent Reznor’s industrial hit “Closer.” It’s an effortless presentation which — much like the killer’s diary featured within — wears its construction proudly on its sleeve.




www.cargocollective.com/search/seven-deadly-sins
https://www.behance.net/search?content=projects&user_tags=1035103





FInal Calendar for the Semester



Monday 23                      Selected Group Critiques for Independent Voice Work in class
Wednesday 25                 Independent Voice Work in class/Make sure everyone submits for Juried Exhibition by Friday 27th.

Monday 30                      Independent Voice Work in class
Wednesday Apr 01          Discussion: Personal Branding/ Senior BFA Show/ Juried Art Show Discussion

Monday 06                 Independent Voice Critique
Wednesday 08                7 Deadly Sins: 7 Independent Packaged Panels (front/back) that depict your interpretation of 
                                      The 7 Deadly Sins (7 @ 5 x7 in) Any media.
                                      Each will select 1 of the 7 designs that will be printed @ 22x30 in CMC
                                      Wrath, Greed, Sloth, Pride, Lust, Envy and Gluttony
                                   
Monday 13                      7 Deadly Sins
Wednesday 15                 7 Deadly Sins

Monday 20                      One Senior 45-Minute Rehearsal for Senior Exit Review
Wednesday 22                 One Senior 45-Minute Rehearsal for Senior Exit Review 
                                      
Also: Large Scale Poster pdf high res files ready for printing to CMC
Each of you will choose one of your seven designs to get printed by CMC for the final critique and then will be framed and installed in the GrD rooms/hallways/public spaces for the future. These become property of the University/Design Program.

Monday 27                 7 Deadly Sins Critique and All CTW info submitted
                                      Updated Artist Statement/ DVD work completed in Portfolio & Resume
                                 

The Great Chair Hack of 2015last

Last Year Graham Robson and his team won 1st Place in the MODA Chair Hack!
Got Your Team Together for the Great Chair Hack of 2015? 
Saturday, April 11, 1:00pm - 5:00pm

Join MODA and IDSA for an afternoon of "chair hacking" at the Atlanta Dogwood Festival!

Known for their classic Swedish simplicity, many IKEA products contain components that are simple in form and consistent in their application. This inherent configurability has created an underground movement of "IKEA hacking" in which people modify, rebuild, reconfigure and customize IKEA pieces to fit their needs.

In keeping with this trend, MODA and IDSA invite you to get hacking! At this year's Dogwood Festival, teams of students, professionals, artists and/or hackers will be given a real-world challenge and will be tasked with designing an innovative solution using the components of an IKEA product (see rules for more details). 

Participants will have three hours to complete the challenge and prizes for best design solution will be given.

To participate, just assemble your own team of 2-4 participants and register by contacting
Alice Weston at 404.979.6455 or aweston@museumofdesign.org.

The deadline to register is Monday, April 6. Hurry! Space is limited!

Monday, March 23, 2015

Juried Student Exhibiton

The Ernest G. Welch School of Art and Design Galleries at Georgia State University seeks works in all media for our 2015 17th Annual Juried Student Exhibition. Eligibility is limited to current undergraduate and graduate students of the Ernest G. Welch School of Art and Design. The exhibit will run April 16 – 24, 2015. Works selected by our juror, Atlanta Contemporary Arts Center Curator Daniel Fuller, will be installed in both galleries. Entry is free and will be accepted online only through CafĂ©: https://www.callforentry.org/

Find all of the details here:

Tuesday, March 10, 2015

Great Article on Courtnie and the AJMF (plus some other designs)

AJMF Taps Undergrad Courtnie Fore For Her Winning Poster Design

Congratulations to undergrad Courtnie Fore (Senior BA in Graphic Design) whose winning design was selected as the official poster for the 2015 Atlanta Jewish Music Festival. The class project, now in its 4th consecutive year, is spearheaded by Stan Anderson (Assoc. Prof. of Graphic Design) and showcases the department’s pool of creative talent in a real-world setting.   Courtnie’s winning design will also be incorporated throughout the festival’s website, social media and marketing collateral.
Festival director and founder, Russell Gottschalk visited the school to oversee Courtnie sign a limited edition of 75 posters, of which will be available for purchase during the festival (March 12-23)
http://artdesign.gsu.edu/ajmf-taps-undergrad-courtnie-forre-winning-poster-design/




Thanks to Tony Mangle who is the Welch School of Art & Design PR person who is responsible for
this and all the information on the Welch School Facebook site.  More to come in The GSU Signal.

Tuesday, March 3, 2015

Individual Voice Project:







CTW Graphic Design Assessment Project:
Individual Voice Design Project:
Start Date: Wednesday March 4th
Independent Group Informal Crits: Monday 23rd
Critique:  Monday March 30th
 
Since entering the Graphic Design program at GSU a few years ago, each of you have been asked to perform and experience certain degrees of proficiency which are universal to most graphic design majors in their respective schools.

Throughout your time at GSU I’m sure each of you have discovered your strengths and your weaknesses but most importantly is that each of you have perhaps identified areas of interest which you have wanted to pursue with more indepth investigation.  This semester you will have a chance to identify what you feel are those missing creative “gaps” in your design education and portfolio by writing your own creative contract on work to be completed. This contract will exist between student and instructor. 

In this project each designer will identify a set of creative goals/ideas by writing them down with some detail of what they wish to accomplish in its final presentation. These ideas should be specific in what each student wishes to accomplish. Students will also present their ideas to the rest of the class for feedback before initiating the agreed upon individual project. 


The idea of how to begin this senior design class began during a senior trip to NYC in October 2007 to visit design studios. Many of the Art Directors (Psyop, Gretel, Trollback, MTV and Nickelodeon) stated that they are always looking for new design recruits based on what they can “uniquely” offer to their respective companies and design firms. They are seeking designers who have a style that is unique which has been described as their “inner design voice.”  This project will allow you to literally ‘flush out” your uniquely personal graphic design goals. You might wish to create a set of animations based on your interest in art or travel or language; others might wish to create a uniquely different set of print work; many of you might wish to work on typographical areas of your portfolio which you feel need more attention.

Doug Grimmett, Founder of Primal Screen in Atlanta, recently spoke to seniors in 2014 about how he will prefers to look at both digital and printed work. He wants to see both and he wants more than just 12-15 pieces. His thinking is the more he sees of a designers work the more idea he has about how they would fit into his studio of other designers
Brandy Porter, Creative Director at BNR, recently spoke to you at your Atlanta Streetcar presentations and she said she prefers digital work and that is because their company is a digital web-based instructional company.

Each project for each student should be uniquely different.
That is the strength of this project.
You think it and you design it!
Do you need more print and editorial work?    Do you need more Illustration work?
Do you need more animation?   Do you need more political work?
Do you want to show more of your multimedia work?

Learning to discover (and uncover) your unique “voice” as a creative person can be a life-changing experience.
Finding your “inner voice” as a designer certainly will allow you to become more self-confident when you begin your job search upon graduation.

Revisions/Additions to video/motion work; printed materials including collateral for work  or campaigns you’ve already done; web or more strategy-based design; infographics; broadcast design; Point of purchase; packaging; advertising campaign.